As I work away with wool and black and white, I can feel a revolt coming on – it’s like working with linen and thinking that mohair is a good idea – (actually, no – it’s not like that, for that is insanity).
I love weaving, and I love colour, the two are irrevocably tied together for me and this sums up what I mean by COLOUR – What I FEEL by the word COLOUR!!! It’s like Chocolate and coffee and nice red wine and majul dates all at once – every taste bud tingling from what your eyes can see. (mmm, from all that one can deduce that I really like my food)
Neki and I eventually caught up – and while she bemoaned her lack of linen (and I’ve got cupboards about to explode with the stuff), we went to see the Mariano Fortuny exhibition at the Padrera on Passeig de Gracia. It was the aforementioned Mr Fortuny who was inadvertently guilty of steering me towards the course I took…leading to textiles and Japan. A very tatty old book about him existed in our school library, and finding it was full of colour and luxury and velvets and pleats I became a bit obsessed! This then led to an interest in Miyake and all his pleats, and the next thing you know I was wondering what happened in Japan with regard to textiles.
On a completely non-textiles note, it was a strange coincidence that this week I got in touch again with an old friend from Japan – another gaijin who is now married and still living there with two children taboot…He’s moved to Tokyo though…no Inaka for him any more!
Now, I just need to find some one who can tell me if Kanebo still make those pine bath salts and I think I’ll feel that all is right with the world this week…(until next week raises its own set of questions and I’m flumaxed all over again.)